Tracklist
| A1 | I. Peace Three | 3:08 |
| II. Signal Generators | ||
| A. Sine Waveform | ||
| A2a | 1. Slow-Motion Audible Example | 0:05 |
| A2b | 2. Composition | 0:50 |
| A2c | 3. Harmonic Synthesis | 0:33 |
| A2d | 4. Non-Harmonic Synthesis | 0:37 |
| B. Sawtooth Waveform | ||
| A3a | 1. Slow-Motion (Negative- And Positive-Going) | 0:12 |
| A3b | 2. Composition | 0:34 |
| C. Rectangular Waveform | ||
| A4a | 1. Slow-Motion Audible Example (1/8-1/2) | 0:28 |
| A4b | 2. Composition (Using 1/8, 1/7, 1/3, 1/2) | 0:35 |
| D. Triangular Waveform | ||
| A5a | 1. Slow-Motion Audible Example | 0:05 |
| A5b | 2. Composition | 0:20 |
| - | ||
| A6 | E. White Sound Composition | 0:13 |
| III. Control Generators | ||
| A7a | A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion | 0:08 |
| A7b | B. Sequential Voltage Sources. Composition | 1:55 |
| IV. Frequency Modulation | ||
| A. Keyboard Control | ||
| B1a | 1. 12-Tone | 0:32 |
| B1b | 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) | 0:40 |
| B1c | 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) | 0:31 |
| B1d | 4. Portamento | 0:23 |
| - | ||
| B2 | B. Ribbon Control | 0:30 |
| C. Periodic | ||
| B3a | 1. Vibrato Ⓢ (Speed Increases As Pitch rises) | 0:28 |
| B3b | 2. Sine-Higher Frequency | 0:27 |
| B3c | 3. Sawtooth-Swept | 0:38 |
| B3d | 4. Rectangular 1/2-Swept L2 | 0:32 |
| B3e | 5. Triangular-Swept | 0:31 |
| D. Periodics Combined | ||
| B4a | 1. 3 Square Waves At Different Frequencies | 0:28 |
| B4b | 2. 3 Triangular Waves At Different Frequencies | 0:37 |
| B4c | 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies | 0:46 |
| - | ||
| B5 | E. White Sound | 0:12 |
| F. Transient | ||
| B6a | 1. Up An Octave, Back To Pitch | 0:17 |
| B6b | 2. Up A 3rd, Back To Pitch | 0:07 |
| B6c | 3. Down An Octave, Back To Pitch | 0:09 |
| B6d | 4. Down A 3rd, Back To Pitch | 0:13 |
| V. Amplitude Modulation | ||
| C1 | A. Keybaord | 0:13 |
| C2 | B. Ribbon Controller | 0:10 |
| C. Periodic | ||
| C3a | 1. Tremolo | 0:25 |
| C3b | 2. Sine-Higher Frequencies (S Sweeping S) | 0:47 |
| C3c | 3. Sawtooth (Negative- And Positive-Going Swept) | 1:20 |
| C3d | 4. Rectangular-L2 Swept | 0:28 |
| C3e | 5. Triangular-Swept | 0:50 |
| D. Periodics Combined | ||
| C4a | 1. 4 Square | 0:44 |
| C4b | 2. 3 Triangular | 0:23 |
| C4c | 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ | 0:23 |
| - | ||
| C5 | E. White Sound | 0:38 |
| F. Transient | ||
| C6a | 1. Slow | 0:08 |
| C6b | 2. With Rising Pitch | 0:15 |
| C6c | 3. ∧∧∧∧∧ | 0:14 |
| VI. Ring Modulation | ||
| A. Sine Waves | ||
| C7a | 1. Series Of Sub-Audible Constants | 2:00 |
| C7b | 2. Tune In Parallel | 0:40 |
| C7c | 3. Tuned In Opposite Direction | 0:30 |
| - | ||
| C8 | B. Sawtooth | 0:33 |
| C9 | C. Rectangular L2 | 0:39 |
| VII. Filtering | ||
| D1 | A. White Sound - With Fixed Filters Selected 3rd Octave | 0:25 |
| B. White-Sound-Tuned Filters | ||
| D2a | 1. Broad | 0:43 |
| D2b | 2. Sharp | 0:25 |
| - | ||
| D3 | C. Low-Frequency Sawtooth-Tuning Through Harmonics | 1:05 |
| D4 | D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics | 0:50 |
| D5 | E. Swept With Ribbon Controller | 0:40 |
| F. Periodic | ||
| D6a | 1. Sine-Timbre Vibrato Effect | 0:25 |
| D6b | 2. Sine-Variable Rate And Depth | 0:36 |
| D6c | 3. Sawtooth (Descending And Ascending) | 0:50 |
| D6d | 4. Rectangular | |
| G. Transient (Sawtooth With Transient Controlled Filter) | ||
| D7a | 1. ----------------- | 0:12 |
| D7b | 2. ----------------- | 0:10 |
| D7c | 3. ------------------ | 0:09 |
| D7d | 4. ------------------ | 0:08 |
| VIII. Tape Delay | ||
| D8 | A. Single Repeat | 0:13 |
| D9 | B. Multiple Repeat | 2:55 |
| - | ||
| D10 | IX. Peace Three (Recap) |
Companies, etc.
- Manufactured By – Elektra/Asylum/Nonesuch Records
Credits
- Artwork – Gene Szafran
- Coordinator [Production] – Jason Farrow, Teresa Sterne
- Design – William S. Harvey
- Liner Notes [16 page booklet] – Bernard L.Krause, Paul H. Beaver Jr.*
Notes
1975 reissue with Warner Communications Inc. "W" logo in label rim text.Introduction to and survey of electronic music.
All work realised on the Moog Series III Synthesizer.
Excluding A1 and D10, each section is broken down into various examples.
Released with a 16-page book which includes the musical score of the A1 track : Peace Three
- Notes to the track titles-
Some tracks are represented by graphical symbols that are not reproducible in unicode, especially the following:
B3d: 'L2' is encircled.
B4c: '2L', '2N', '2V', '2S' are all encircled
B6a to B6d are preceded with a drawn line, all in a different shape
C3d and C4c: 'L2' is encircled
C6a is preceded by a drawn shaped line
C6b is preceded by drawn angles
C6c is approximated, but the inverted chevrons all show a different angle.
C9: 'L2' is encircled.
D7a and D7b are represented by drawn lines, slightly tilting.
D7c and D7d are represented by drawn lines with a slight anglearound the middle.
Barcode and Other Identifiers
- Matrix / Runout: HC 73018 A 1-2 R.
- Matrix / Runout: HC 73018 B R.
- Matrix / Runout: HC 73018 C R.
- Matrix / Runout: HC 73018 D-3 1-1
Other versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| HC-73018 | Paul Beaver & Bernard L. Krause* | The Nonesuch Guide To Electronic Music (2xLP + Box) | Nonesuch | HC-73018 | US | 1968 |
| HC-73018, HC 73018 | Paul Beaver & Bernard L. Krause* | The Nonesuch Guide To Electronic Music (2xLP, Gat) | Nonesuch, Nonesuch | HC-73018, HC 73018 | UK | 1968 |
| HC-73018 | Paul Beaver & Bernard L. Krause* | The Nonesuch Guide To Electronic Music (2xLP, Album + Box) | Nonesuch | HC-73018 | US | Unknown |
| HC-73018 | Paul Beaver & Bernard L. Krause* | The Nonesuch Guide To Electronic Music (2xLP + LP, 2lp) | Nonesuch | HC-73018 | UK | 1968 |
| HC-73018 | Paul Beaver & Bernard L. Krause* | The Nonesuch Guide To Electronic Music (2xLP, RE + Box) | Nonesuch | HC-73018 | Canada | Unknown |
